met museum Artwork

Edouard Manet

Olympia

1902 - 1902
Wood engraving

Olympia

1923 - 1923
color woodcut, printed in black and ochre ink on thin parchment paper

Portfolio cover and text for The Raven by Edgar Allan Poe

1875 - 1875
letterpress in black and red ink on laid (Hollande) paper

Exotic Flower

1868 - 1868
Etching and aquatint on laid paper, final state (of two)

Jeanne, from "Gazette des Beaux-Arts"

1882 - 1882
Etching and aquatint on laid paper

The Tragic Actor: Rouvière in the Role of Hamlet

1865 - 1866
Etching on blue laid paper, final state (II), from 1905 Strölin edition

Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe

1875 - 1875
Transfer lithograph on laid (Hollande) paper, final state of five

Perched upon a Bust of Pallas. Illustration to The Raven by Edgar Allan Poe

1875 - 1875
Transfer lithograph on laid (Hollande) paper, final state of two

The Shadow that Lies Floating on the Floor. Illustration to The Raven by Edgar Allan Poe

1875 - 1875
Transfer lithograph on laid (Hollande) paper, only state

The Flying Raven, Ex Libris for The Raven by Edgar Allan Poe

1875 - 1875
Lithograph on simili-parchment

Once Upon a Midnight Dreary. Illustration to The Raven by Edgar Allan Poe

1875 - 1875
Lithograph on laid paper

Design for the poster and cover for The Raven by Edgar Allan Poe

1875 - 1875
Transfer lithograph on simili-parchment

A Letter to Eugène Maus, Decorated with Two Apples

1880 - 1880
Watercolor, pen and ink on wove paper

Berthe Morisot (In Black)

1872 - 1874
Lithograph on chine collé, second state of two

The Infanta Marguerita after Velázquez

1862 - 1864
etching, only state, on blue laid paper, from 1905 Strölin edition

Boy with a Sword, Turned Left

1862 - 1862
Etching and aquatint on laid paper (Hudelist), state III of IV

Frontispiece for an edition of "Les Ballades" by Théodore de Banville

1874 - 1874
Etching and aquatint on blue laid paper, from 1905 Strölin edition

Portrait of Charles Baudelaire, Full Face, after a photograph by Nadar

1868 - 1868
Etching on wove (China) paper, final state of 4

Portrait of Berthe Morisot

1872 - 1874
Etching on blue laid paper, second and final state, from 1905 Strölin edition

Olympia (small plate)

1867 - 1867
Etching in brown ink on laid paper with partial watermark (fleur de lis in a cartouche), final state of six

Lola de Valence

1863 - 1863
etching and aquatint, final state; first edition on laid paper; proof for the Société des Aquafortistes' edition of 1863, published by Cadart

Mlle. Victorine in the Costume of an "Espada"

1862 - 1862
Etching, aquatint, and bitten tone on laid paper (watermarked Hudelist); final state of three, from the 1862 Cadart edition

Berthe Morisot (in silhouette)

1884 - 1884
Lithograph, final state (II), on chine collé; 1884 edition

Profile of Eva Gonzalès turned to the left

1865 - 1875
Etching on blue laid paper, only state, from 1905 Strölin edition

Portrait of Charles Baudelaire in Profile

1862 - 1867
Etching on blue laid paper, only state, from 1905 Strölin edition

Portrait of Edgar Allan Poe

1855 - 1865
Etching on blue laid paper, from 1905 Strölin edition

In the Upper Gallery (Au Paradis)

1877 - 1877
lithograph (transfer relief plate, or gillotage) on china paper

Cat and Flowers. Illustration to The Cats by Champfleury

1869 - 1869
Etching and aquatint in brown ink on tan wove paper, final state of three, third edition (Mégnin)

Portrait of Charles Baudelaire, in profile

1862 - 1862
Etching on laid paper

Berthe Morisot

1872 - 1872
Etching and drypoint on laid paper, first state of three

The Convalescent (Suzanne Manet)

1879 - 1881
Etching, drypoint, and aquatint in brown ink on tan laid paper, final state of three

The Urchin

1868 - 1868
Lithograph on violet-toned chine collé, second state of two

The Races (Les Courses)

1884 - 1884
Lithograph, final state (III) on chine collé; standard edition of 1884

Suzanne Manet at Bellevue

1880 - 1880
Brush and black wash over graphite on wove paper

Marine

1865 - 1866
Etching, aquatint, roulette and bitten tone in brown ink on laid paper with partial watermark (fleur de lis in a cartouche), only state

Boy with Soap Bubbles

1867 - 1869
etching, lavis aquatint, and roulette on laid paper, second state of four, from 1905 Strölin edition[?]

The Spanish Singer (Le Guitarrero)

1861 - 1862
Etching and bitten tone on laid paper, second state of six (before the first edition of 1862)

A Cat Curled Up, Sleeping

1861 - 1861
Graphite, on ivory-colored paper

Olympia (large plate)

1867 - 1867
Etching on blue laid paper, third and final state, from 1905 Strölin edition

The Toilette

1861 - 1862
etching with roulette, bitten tone; final state (II) on blue laid paper; from the Strölin edition of 1905

The Little Girl

1861 - 1862
etching and drypoint on blue laid paper; final state (II), from the Strölin edition of 1905

The Little Cavaliers, after "Velázquez"

1861 - 1862
etching and drypoint, final state; on blue laid paper from the Strölin edition of 1905

Dead Toreador

1867 - 1868
etching and aquatint on blue laid paper, final state (VI), from 1905 Strölin edition

The Little Cavaliers, after "Velázquez"

1861 - 1862
etching, drypoint, and bitten tone on laid paper (watermark: H P Hallines); state one of six

The Smoker (Le Fumeur)

1879 - 1882
Etching and drypoint on blue laid paper, only state, from 1905 Strölin edition

The Urchin

1861 - 1862
Etching, final state (II) in brown ink on laid white paper, from the Strölin edition of 1905

At the Prado

1863 - 1867
Etching and aquatint on heavy laid paper, final state of two, posthumous impression

Dead Christ with Angels

1866 - 1867
Etching and aquatint in brown/black ink on wove paper, final state of three

Line in front of the Butcher Shop

1870 - 1871
Etching on light blue laid paper, only state, from 1905 Strölin edition

Don Mariano Camprubi (Le Baïlarin)

1862 - 1863
etching on blue laid paper, only state, from 1905 Strölin edition

The Rabbit

1866 - 1866
Etching, drypoint, and bitten tone on laid paper (watermark: Hudelist), only state

The Smoker (Le Fumeur)

1866 - 1867
Etching on blue laid paper, final state (II), from 1905 Strölin edition

The Spanish Singer (Le Guitarrero)

1861 - 1862
etching, final state (V) on blue laid paper

The Water Drinker

1870 - 1874
etching and drypoint, from 1905 Strölin edition

The Little Girl

1861 - 1862
Etching and drypoint on laid paper, state one of two

The Toilette

1862 - 1862
Etching, aquatint, and bitten tone in brown ink on laid paper; final state of two, from 1905 Strölin edition

The Philosopher (Le Philosophe)

1865 - 1866
etching and drypoint on blue laid paper, from 1905 Strölin edition

Boy and Dog

1862 - 1862
etching and aquatint, final state (III), on blue laid paper from the Strölin edition of 1905

Olympia (small plate)

1867 - 1867
Etching and aquatint on laid paper, state II of VI

A Cat Resting on All Fours, Seen from Behind

1861 - 1861
Graphite, on ivory-colored paper

Lola de Valence

1862 - 1862
etching and aquatint, final state (VI)

A Man on Crutches

1878 - 1878
Brush and lithographic ink on transfer paper

Head of Jean-Baptiste Faure (1830–1914)

1882 - 1883
Oil on canvas

The Smoker

1866 - 1867
Facsimile reproduction of Manet's etching of 1866-67, in the second state

Cats

1868 - 1869
Etching on blue laid paper, only state, from 1905 Strölin edition

Silentium

1862 - 1864
etching on blue laid paper, final state (II), from 1905 Strölin edition

Marine

1865 - 1866
Etching and aquatint on blue laid paper, from 1905 Strölin edition

Jeanne (Spring)

1882 - 1882
Etching on blue laid paper, only state, from 1905 Strölin edition

Cat and Flowers

1869 - 1869
Etching and aquatint; third (final) state; posthumous edition

Olympia (small plate)

1867 - 1867
Etching on laid paper, sixth and final state, from 1905 Strölin edition

The Gypsies (Les Gitanos)

1862 - 1862
etching, final state (II) on blue laid paper

Jean-Baptiste Faure (1830–1914)

1882 - 1883
Oil on canvas

Hat and Guitar. Cover design for "Eaux-fortes par Edouard Manet," an album of fourteen etchings

1862 - 1862
etching, drypoint, and aquatint; final state on blue laid paper

The Execution of the Emperor Maximilian (L'exécution de Maximilien)

1868 - 1868
Lithograph on chine collé

Copy after Delacroix's "Bark of Dante"

1854 - 1864
Oil on canvas

George Moore (1852–1933) at the Café

1878 - 1879
Oil on canvas

Peonies

1864 - 1865
Oil on canvas

Strawberries

1882 - 1882
Oil on canvas

Boy with a Sword

1861 - 1861
Oil on canvas

Madame Edouard Manet (Suzanne Leenhoff, 1829–1906)

1870 - 1876
Oil on canvas

The "Kearsarge" at Boulogne

1864 - 1864
Oil on canvas

Emilie-Louise Delabigne (1848–1910), Called Valtesse de la Bigne

1879 - 1879
Pastel on canvas

The Funeral

1867 - 1867
Oil on canvas

Mademoiselle Isabelle Lemonnier (1857–1926)

1879 - 1882
Pastel on canvas

Mademoiselle V. . . in the Costume of an Espada

1862 - 1862
Oil on canvas

Young Man in the Costume of a Majo

1863 - 1863
Oil on canvas

Fishing

1862 - 1863
Oil on canvas

Civil War (Guerre Civile)

1874 - 1874
Lithograph on chine collé, final state (II)

The Brioche

1870 - 1870
Oil on canvas

The Spanish Singer

1860 - 1860
Oil on canvas

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue

1880 - 1880
Oil on canvas

The Monet Family in Their Garden at Argenteuil

1874 - 1874
Oil on canvas

A Matador

1866 - 1867
Oil on canvas

The Dead Christ with Angels

1864 - 1864
Oil on canvas

George Moore (1852–1933)

1879 - 1879
Pastel on canvas

Young Lady in 1866

1866 - 1866
Oil on canvas

Boating

1874 - 1874
Oil on canvas

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